Art & Culture
Museum & Exhibits

The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse

Saturday, March 12, 2022 to Sunday, July 24, 2022
Rates/Admission Prices

See website for pricing

Location
Crystal Bridges Museum of American Art
600 Museum Way
Bentonville, AR 72712
Hours of Operation

Sat | Sun 10am — 6pm
Mon | Wed 11am — 6pm
Thu | Fri 11am — 8pm
Tue Closed

The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts, examines southern aesthetic and musical traditions of early twentieth-century Black culture, influences now common throughout the American South and contemporary American art and culture.
 
In an immersive experience that engages multiple senses, The Dirty South spotlights the southern landscape through its musical heritage, spiritual complexity, and regional swagger. The exhibition features works of sculpture, paintings, works on paper, assemblage, textiles, and music as well as ephemera from music culture, including instruments, music videos, costumes, lyrics, and personal effects. Ultimately, The Dirty South creates an engaging opportunity to experience a deeper understanding of the African American South and its undeniable imprint on the history of American art. 
 
This exhibition explores the relationship between music and visual art in Black southern expression from 1920-2020, highlighting a narrative of persistence and power. The sonic impulse is present in all musical genres including spirituals and gospel music to jazz, rhythm and blues to soul and funk through to the rise of southern hip-hop—a genre that gave new meaning to the term “dirty south.” Artists like Sister Gertrude Morgan, Bo Diddley, Chuck Berry, Sun Ra, and CeeLo Green are featured through sound and personal effects. The evolution of these musical forms also emerges in material culture featured in the exhibition including a SLAB, grillz, and stage costumes. An intergenerational group of visual artists including Beverly Buchanan, Alma Thomas, Bethany Collins, Minnie Evans, Kara Walker, Bill Traylor, Rita Mae Pettway, Sanford Biggers, Kerry James Marshall, Elizabeth Catlett and many more are placed in dialogue with one another, weaving academically trained artists with “intuitive intellectuals,” or folk artists. The intersections enable viewers to see the varied approaches to material as well as a broad range of visual art expressions shaped across time and geography.

Photo Credit:
Bisa Butler (American, born 1973)
Basin Street Blues, 2014
Cotton denim
Courtesy Claire Oliver and Ian Rubinstein
Image: © Bisa Butler, Courtesy Claire Oliver Gallery, New York